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December 3, 2009

Mario Cerroni - Photo(ad)diction

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“PHOTODICTION is the careful selection of specific elements to include in a picture’s composition, using these to express various themes and views of the world around me.”
This is the definition of the neologism that Mario Cerroni invented for the identity of his photography website.

Judging from the comments posted by visitors to that website, his photographic compositions eloquently express his ability to extract extraordinary beauty and serenity from the world around him. His selective views of both natural and human-made scenes excel at revealing pattern, texture, rhythm and the beauty in the commonplace that is so easily overlooked.

One composition, in particular, convinced me that this photographer does indeed have a special gift for discerning the aesthetic possibilities of a familiar sight. On his website gallery I was drawn to a quietly sober photo in black and white titled “Evening Reflection.” I was mildly chagrined to learn that it was a striking capture of a scene that I have personally witnessed many times without once appreciating its potential as a powerful image.

Discovering and revealing that potential is a key component of Cerroni’s passion for photography. One of his favourite images is a shot of two bare trees in a winter field. He had passed that field hundreds of times, and one day he saw in it the striking composition he captured. “The world around us presents an endless medley of rhythms and patterns. Sometimes I am able to tune into one of them with my camera. When I transform a common scene into a well-executed photo, I like to think that I am revealing the beauty of the commonplace.”

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Mark Garvock - "The Village Blacksmith" of Fall River

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Like the hero of Henry Wadsworth Longfellow’s famous poem, Mark Garvock has “large and sinewy hands; and the muscles of his brawny arms are strong as iron bands.” His shoulders are impressive. Unlike Longfellow’s hero, Garvock does his blacksmithing indoors in an immense, labyrinthine building that probably contains more tools than your local Canadian Tire store. His fulltime smithing business, Fall River Forge, is located a few hundred feet away from his home at 258 Mackay Line Road in Fallbrook, about 15 minutes north of Perth off Route 511.

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December 1, 2009

Ineffable Art, Transcendent Sculpture

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“Ineffable” is defined as “beyond expression in words; unspeakable.” “Transcendence” is “the state of being beyond the range of normal perception.” Russell Baron’s sculptures are his unique and exquisite visual expressions of the range of human emotions, taken beyond the range of normal perception.

Baron considers art his native tongue. “It is how I express myself,” he tells me. His sculptures are eloquent testaments to his deeply reflective nature. They are also complex, multi-layered, intricate, profound and sometimes abstruse. Like most serious art, his is capable of being enjoyed on many different levels.

For the past ten years Baron has worked as a freelance professional sculptor, executing
commissions for religious organizations and private collectors in Canada, the US, and Europe. In February of 2008, his Way of the Cross, comprising fourteen cold-cast bronze images of the Stations of the Cross, was installed in the Chapel of the Réné Goupil Jesuit Community (the Province Infirmary) in Pickering. Three of the Stations are shown on their website at . The images clearly illustrate Baron’s gift for depicting emotion through gesture and expression, the result of his interest in sociology and psychology.

Baron works primarily with bronze and terra cotta — “primal earth materials that embody the four primordial elements in the sculptural process. It links me to the ancestors… working with these materials binds me to a living heritage of ritual, function and beauty for beauty’s sake.”

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