
Jackie
Seaton
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WHAT
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Stoneware
Potter |
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WHERE
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Home Studio, Perth, 267-5831, js@superaje.com
- Riverguild Fine Crafts, 51 Gore St. E, Perth,
267-5237
- Perth Autumn Studio Tour, Thanksgiving Weekend,
Oct. 9-11 |
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WHY
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"It
allows me to integrate what I do with my hands
with my ideas about community." |
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Previous
Artist Trading Cards
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Jackie
Seaton - Bowling for Community
By Sally Hansen
Since
1980 Jackie Seaton has flourished as a rural potter working
out of his home studio near Perth. His approach to pottery
is characteristic of his general pragmatic approach to life.
He produces functional, sturdy stoneware items designed
for everyday use in the kitchen and the garden.
The artistic challenge Jackie Seaton sets himself is to
perfect traditional shapes. "I like to make pots that
people recognize; I don't dream up new shapes and abstract
objects," he tells me as I admire the many items in
visible use in his own country kitchen in a century-old
former general store near Perth. His unusual salt-glaze
kiln is housed a few steps away in a large barn-shaped outbuilding,
and I recall with late-winter nostalgia the abundant gardens
that greeted me when I visited his studio last Thanksgiving
during the annual Perth Autumn Studio Tour.
The Formative Years
Surprisingly, Seaton credits his four summers at the National
Music Camp at Interlochen, Michigan, with engendering his
lifelong love for making pottery. Ostensibly there to study
the cello, he was irrevocably seduced by the high level
of instruction in both sculpture and pottery making. When
he finished high school he had the "extremely good
fortune to study with Val Cushing" (renowned potter
and educator at Alfred University in NY) ... "an intense
experience which eventually led me into the world of ceramics."
Between 1964 and 1972 Seaton completed his education in
the Humanities at Glendon College in Toronto, worked for
two years as a research assistant to the NDP Caucus at Queen's
Park, and finally went on to postgraduate work at York University,
receiving a Masters Degree in Victorian Studies.
As the Wheel Turns
In 1973, potter's wheel in tow, Jackie Seaton moved to Vancouver
determined to try life as a craftsman. Seeking an apprenticeship
position, he had the great good fortune to fall into a co-operative
situation with a group of ten full-time professional potters.
His two years at Vancouver Clayworks proved to be an invaluable
technical and real world experience. "Among other things,
we were able to build a salt glaze kiln at a time when there
were almost no books on the subject for guidance, and when
almost no one in Canada was practising salt glaze production
in a studio setting."
Upon his return to the east in 1976, he spent four years
firing his pottery in others' kilns before settling into
the wonderful home and studio near Perth where he works
today. As he shows me his self-built salt glaze kiln almost
thirty years later, his pleasure in his chosen lifestyle
is palpable. Salt glazing is particularly appropriate for
Jackie's durable stoneware pieces that are oven, microwave
and dishwasher safe, and often outlive the kiln they were
fired in - he has to rebuild his kiln every ten years on
average. He tells me he still likes the throwing part the
best - the time actually spent at the potters wheel turning
hundreds of individual pieces by hand, and that he enjoys
the production aspect. "It becomes almost a meditative
thing, and the last five pieces are always the best."
Bowling for Community
But most importantly, Jackie Seaton tells me he has achieved
his lifelong goal of "integrating what I do with my
hands with my ideas about community." As a solo craftsman,
he truly values the camaraderie of the vital craft community
surrounding Perth. He has been an integral force in establishing
two successful artists' marketing co-operatives which today,
in conjunction with another co-operative venture, The Perth
Autumn Studio Tour, sell nearly 100% of the pottery he produces.
These are Riverguild Fine Crafts in Perth and Cornerstone
Fine Art / Fine Crafts in Kingston.
In Bowling, Striking Out Is Good!
Seaton doesn't just sell his bowls; he gives them away.
Each year as part of his outreach to pottery crafters, Seaton
invites a senior student from Sheridan College or Nova Scotia
College of Art and Design (NSCAD) to join him in his home
and studio for ten weeks. When a NSCAD student introduced
Seaton to the worldwide "Empty Bowls" project
three years ago, Jackie expanded his communal horizons.
"The hunger and homelessness in our community is shameful!"
He tells me that in a community of 6,000 people, on any
given night twenty kids are on the streets of Perth for
one reason or another. He set out to produce 300 bowls to
raise funds for Perth's Food Bank and its Youth Centre (YAK).
With a publicity boost from CTV, his Empty Bowls
project took off, and with the help of local restaurants,
volunteers and supporters such as Ed and Lucille Broadbent,
over $20,000 has been donated to these vital organizations
in two years.
This year Jackie spent Christmas producing another 500 bowls
with the help of a visiting potter from Hong Kong. Fu Choi-ting,
a student in ceramics at Sheridan College in Oakville, volunteered
her time over the school winter break to help him prepare
for the 2004 event. She hopes to return to Perth to help
out with Empty Bowls during the Festival of the
Maples on Saturday, April 24th when local restaurants
will participate again by donating soup for the bowls she
and Jackie have made.
In Jackie's words, "Donors get to eat the delicious
soup and keep their handmade bowl as a permanent reminder
that good food is not only a pleasure but a basic right
of each and every member of our community, regardless of
age or circumstance".
For more information readers can click on www.riverguild.com/gallery/jackie/
and follow the link to "Empty Bowls Project,"
or write to Jackie Seaton at js@superaje.com
to receive an annual Empty Bowls newsletter. Be sure to
stop in at his studio during the Perth Autumn Studio Tour
over Thanksgiving weekend, October 9-11.
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